Ray Stevens biography

 

One of the most popular novelty artists of all time, Ray Stevens enjoyed a remarkably long career, with a stretch of charting singles - some of them major hits - that spanned four decades. Unlike parody king Weird Al Yankovic, Stevens made most of his impact with original material, often based on cultural trends of the day. Yet his knack for sheer silliness translated across generations, not to mention countless compilations and special TV offers. Stevens was a legitimately skilled singer and producer who also performed straight country and pop, scoring the occasional serious hit. But in general, comic novelty songs were his bread and butter, and his brand of humor somehow managed to endure seismic shifts in popular taste and style.

Stevens was born Harold Ray Ragsdale on January 24, 1939, in the small town of Clarkdale, GA. He started piano lessons at age six and formed a band at 15 called the Barons, which played at local venues and social events. At 17, he moved to Atlanta and caught on with radioman Bill Lowery's music publishing company; one of his songs, "Silver Bracelet," got him a shot at recording for Capitol subsidiary Prep, but the single never hit outside of Atlanta. Stevens enrolled at Georgia State University to study classical piano and music theory and in the meantime continued to record for Lowery's NRC label. One of his earliest novelty songs, 1960's "Sgt. Preston of the Yukon," was building a national buzz until a copyright infringement suit took it off the racks. Stevens began performing regularly on a radio show called The Georgia Jubilee, which helped lead to a job with Mercury Records as a session musician, arranger, and A&R assistant. Meanwhile, in 1961, he landed his first Top 40 hit with the novelty (obviously) song "Jeremiah Peabody's Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green and Purple Pills."

 

Once Stevens joined the Mercury staff, he recorded several more novelty singles. "Ahab the Arab," released in early 1962, was a smash hit, reaching the Top Five on the pop charts and even crossing over to the Top Ten on the R&B side. The follow-up, "Santa Claus Is Watching You," just missed the Top 40, but 1963's "Harry the Hairy Ape" returned him to the Top 20.

Stevens began recording again for Monument in 1968, delving into surprisingly pointed social commentary with the Top 30 pop hit "Mr. Businessman." Comedy was still in his blood, though, and Justis gave him an idea for a song called "Gitarzan."

Stevens wrote the lyrics and voiced the characters, and in 1969 "Gitarzan" became his first Top Ten pop hit in seven years. His follow-up, a version of the Coasters' "Along Came Jones," reached the Top 30.

An appearance on Andy Williams' variety show led to Stevens signing with the singer's Barnaby label in 1970. He hit immediately with a straight pop song, the relentlessly cheery "Everything Is Beautiful," which displayed his heretofore unseen sentimental streak. "Everything Is Beautiful" was an enormous hit, climbing to number one on the pop charts and winning Stevens a Grammy. Follow-ups included the serious-minded pop song "America, Communicate With Me" (1970), the novelty song "Bridget the Midget (Queen of the Blues)" (1971), and the gospel-styled "Turn Your Radio On" (1972), the latter of which was his first Top 20 country hit. It was, of course, a novelty song that would give Stevens his next big success. "The Streak," a 1974 ditty about the new fad of (what else?) streaking, zoomed up the charts to become Stevens' second number one pop hit and also made the country Top Five.

In the years that followed, Stevens' singles began to chart higher on the country side. His bluegrass-style rearrangement of "Misty" made the pop Top 20 in 1975, but it was a number three country hit and won him another Grammy.

 

Stevens switched labels again, this time to RCA, and promptly had a Top Ten country hit with the humorous "Shriner's Convention" in 1980. Several more singles failed to duplicate its success, and in 1984 he departed RCA for the greener pastures of MCA. Over the next few years, he enjoyed a period of renewed popularity. Songs like "It's Me Again, Margaret" (about an obscene phone caller), "The Mississippi Squirrel Revival," "The Haircut Song," "Would Jesus Wear a Rolex," and "I Saw Elvis in a U.F.O." may not have been his highest-charting (only "Squirrel" made it to the country Top 20), but they all became audience favorites and signature songs.

 

In 1991, Stevens opened his own theater in Branson, MO, and played regularly there until 1993, when he sold the building to take a break. In 1992, he assembled a video collection of some of his best-known material and began a direct marketing campaign via television; the tape wound up selling over three million copies, and Stevens has since released other videos through his own company. He also recorded new material occasionally, returning in 1997 with Hum It and the holiday album Ray Stevens Christmas: Through a Different Window. In the wake of the September 11 attacks, Stevens returned with the new single "Osama-Yo' Mama," which became his first charting country single in ten years, reaching the Top 50. It was followed in early 2002 by Osama-Yo' Mama: The Album, which climbed into the country Top 30.