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Chris Andrews is probably now best known for his big
hit, "Yesterday Man". Many of us will also recall him as the
songwriter responsible for many of Sandie Shaw's most
successful recordings. Despite those activities, Chris's musical credentials
go back much further- into the 1950s and even included an appearance on Jack
Good's legendary Rock & Roll TV Show, "Oh Boy!".
Chris had become an enthusiast of rock and roll while
still in his teens. He formed his own group "Chris Ravel & The Ravers" and even recorded later in that guise . However it was in the clubs of Hamburg
as a rock and roller that Chris cut his musical teeth- just like the Beatles
and the many others in the vanguard of Britain's beat boom. Perhaps it
was this German influence that gave his later music such a distinctive sound.
Despite this hard work, Chris remained in relative obscurity until a song he
had written, "The First Time" was taken up by Adam Faith. The song
proved an important turning point for Adam whose musical fortunes had begun
to decline with the coming of Merseybeat. The song
gave him a new sound and his flagging chart career a much needed boost. It
was also a turning point for Chris because a new singer- Sandie
Shaw, also managed by Adam Faith's manager, Eve Taylor, needed songs. Chris
produced a long series of numbers- most of which suited Sandie
very well- either despite, or because of, the fact that their distinctive
backing generally seemed to be more suited to a Munich
"Oktoberfest" than a UK pop song. The best of these
included "Girl Don't Come", "Long Live Love", and
"Tomorrow". In any event, the Shaw-Andrews combination proved so
successful one might have imagined that Chris would abandon his own singing
career in order to concentrate on songwriting.
Fortunately, this was not the case.
One song that Chris produced was unsuitable for Sandie but proved ideal for him to launch his own
successful run on the UK
singles chart. "Yesterday Man" enjoyed a lot of airplay and
although not quite reaching the top in the UK
it proved to be popular throughout most of Europe
and sold extremely well in a number of countries. Chris managed to follow
this inital huge success with another UK top twenty
entry. Results for his self penned recordings beyond this were disappointing
in the UK,
but his work was much more appreciated on the continent where he would spend
a lot of the 1970s. Although he tried to kick start his UK recording
career again at the end of the 1970s with the help of his old friend Adam
Faith (who had himself taken up management through
his work with Leo Sayer). However, his -perhaps
unexpected- success with "Yesterday Man" remains the pinnacle of
this talented singer/ songwriter's career.
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