36 D
D - C
- G + D - C - G (2x)
D
1. Close your legs, open your mind,
C G
leave
those compliments well behind,
D C - G - D
dig a
little deeper into yourself, and you may find.
D
Come on over here, just sit
right down,
C G
needn’t
comb your hair, needn’t pout or frown,
D C - G
I hear you’ve turned our young
men into dribbling clowns.
D - C G
36 D, so what, D, so what, is
that all that you’ve got ?
D - C G
36 D, so what, D, so what,
is that all that you’ve got ?
+ D - C - G (2x)
D C G
2. Make their day and go ahead, remove your clothes, lie on their bed,
D C - G
just
a last gasp chance or an outside bet to the easily led.
D
And before you do just what
you do,
C G
here’s
one thought for you to chew,
D
C - G
the
men who run the business that you sell, they screw you, too.
D - C G
36 D, so what, D, so what,
is that all that you’ve got ?
D - C G
36 D, so what, D, so what,
is that all that you’ve got ?
Bm G
+ You’re just another 365 night stand,
D A
but you’re
so handy, you’re so handy.
Bm
G
You cheapen and you nasty
every woman in this land,
D
A
but
you’re so handy, you’re so handy.
+ D - C -
G - D - C
D
3. Your picture’s hanging pretty on the squaddities’
walls,
C G
you’re
Steven’s, Andy’s, you’re Ian’s, you’re Paul’s.
D
Your body’s thought of fondly
in the rugby mauls,
C -
G
but
you want more.
D
Your name is always mentioned
in the jokes he cracks,
C G
your coach and
horses and your wool-packs.
D
C - G
Your poses turn the passive
into maniacs, but you want more.
D - C G
36 D, so what, D, so what,
is that all that you’ve got ?
D - C G
36 D, so what, D, so what,
is that all that you’ve got ?
+ repeat CHORUS
+ D - C -
G - D - C - G ….
(The Beautiful South)